The NYTimes have posted a very interesting Dark Knight report which closely follows Chris Nolan’s work as director. It is a must read, even if the minor plot spoilers in the first paragraph would put you off. I’ve included some choice excerpts for you below, along with the new images that feature in the article.
In so many ways this isn’t what you’d expect of a $180 million Hollywood comic-book movie sequel with a zillion moving parts, a cast of thousands and sets from here to Hong Kong. Anyone else would shoot indoors, use digital effects or wait for clear skies; Mr. Nolan rolls with the weather’s punches, believing that the messiness of reality can’t be faked. Another filmmaker would leave a shot like this in the hands of a second-unit director, but Mr. Nolan doesn’t use one; if it’s on the screen, he directed it, and his longtime cinematographer, Wally Pfister, worked the camera. Stars on any other movie would have fled to their trailers to wait in comfort until needed again. Here, Gary Oldman is watching and shivering along with everybody else, cracking jokes to keep warm.
Now the question is whether Mr. Nolan’s vision of Batman can not only maintain its hold on the imaginations of comic fans and critics, but expand its reach to a wider summer moviegoing audience, even as the death of Heath Ledger, who played the Joker in “The Dark Knight,” has added unanticipated morbidity to the film’s deliberate darkness.
“As we looked through the comics, there was this fascinating idea that Batman’s presence in Gotham actually attracts criminals to Gotham, attracts lunacy,” he said. “When you’re dealing with questionable notions like people taking the law into their own hands, you have to really ask, where does that lead? That’s what makes the character so dark, because he expresses a vengeful desire.”
Will Mr. Ledger’s death cast a pall over “The Dark Knight,” whose tragic plot turns already make it much darker than “Batman Begins”? “We’ll see,” said Mr. Robinov, of Warner Brothers. Mr. Nolan, for his part, said he felt a “massive sense of responsibility” to do right by Mr. Ledger’s “terrifying, amazing” performance.